BHSAD educational works

My graduation project in BHSAD on the GDBK course is a corporate identity and a series of repertoire posters of the Moscow International House of Music.
Russian letters were developed based on Latin letters from the Multicolore font. A logo was created, corporate colors, letterhead, ticket, business card, brochure and a series of repertoire posters were thought out.

Inspired by the works of Kashiwa Sato

Based on a poster dedicated to Neville Brody, I created a certain lettering/letters for a summer presentation dedicated to the rebels of typographic design — Brody and Carson. Only Russian letters. Perhaps over time, I will correct some points in the letters, but so far something is wrong.

Trying to create your first, and moreover, pixel font using the site fontstruct.com

An attempt to create posters in the spirit of Adolf Cassander, as well as the cover of Vogue magazine

The task was to organize on a piece of paper on both sides any quote with three entities — the quote itself, the author and the year. And so that the sheet is interesting to fold and unfold, giving out a quote not immediately, but as if involving in the game.
Thank you to Ivan Vasin for his patience with us..))

It was good on the "Fundamentals of painting", which we conducted Galina Ivanovna Kobzeva. Mentally..)) That we just did not use, starting from salt and wax, and ending with old magazines. We used watercolors and gouache.

Modular pictographs for some Olympic sports and my version of the pictographs of some Olympic gods (in the helvetica-Maine aesthetic).

We tried to do something on social topics at School. It's all complicated, of course. In addition to a clear message, the context of the placement of social posters, the audience that will see it, and many other things are important.

Petr Danilovich Protsenko taught us The Basics of Drawing in Britanka. A healthy man! A sly squint, but a good-natured and bearded prankster.

Dmitry Gorelyshev led the illustration. Drawing a nude model with a brush and black ink. The task is to bring the figure to the sign, to learn how to filter out all unnecessary, optional for the image. Draw only what you need. Think both in silhouette and in shape. Materials — brush, ink.

I flew with S7 in the summer, photographed the boarding pass, and then redesigned it a little.

1 — was, 2 — became

Using a scanner (as part of the "what's in your backpack" campaign and in a vector using Delaunay triangulation

Modern version

An attempt to comprehend the composition, space and thinking of Piet Mondrian

During my two years of studying at the British Academy, I made three sketchbooks (or rather, two and a half-the third was half empty).

Sketchbook is a handy thing for sketching, drawing, and writing. Still, living materials and textures are a thrill.
The most interesting pages from them: